Looking sharp in the upper register

Playing scale patterns in sharp keys can be challenging, especially in the upper register. In A major, the following fingering pattern emerges:

bassoon-fingering-template5

Notice the right-hand cross fingering between e, f-sharp, and g, and the left-hand cross fingering between e and f-sharp. Cross fingering patterns can produce snags if not carefully and methodically developed. So, here is the first set of exercises designed to work on these problems:

a-major-exercise-1

Each measure can be repeated multiple times. Begin playing slowly and gradually increase tempo to establish your “outer limit.” It is best to avoid playing too fast since we don’t want to practice these patterns with wrong notes, etc. Another sequence that can be very helpful in isolating glitches is this one:

a-major-exercise-2

Here, we work through the cycle and play one of the notes longer, the rest shorter. In the first measure, the first note (e) is long, in the second measure the second note (f-sharp) is long, and so on. Since for practical purposes, all of the intervals between these notes will be important, the next step is to mix them up:

a-major-exercise-3

If you find a particularly gnarly interval, especially when slurred, be sure to isolate and work on that fingering pattern. Investing some effort into patterns like these will yield great dividends, enabling you to play with confidence and poise as you conquer the technical challenges. (Thanks to SS!)

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